Blogging the silentsMcKernan, Luke · Early Popular Visual Culture · 2008

Who’s who of victorian cinemaHerbert, Stephen; McKernan, Luke · Early Popular Visual Culture · 2005

Diverting Time: London's Cinemas and Their Audiences, 1906–1914McKernan, Luke · The London Journal · 2007

‘T <scp>he</scp> F <scp>inest</scp> C <scp>inema</scp> P <scp>erformers</scp><scp>that</scp><scp>we</scp> P <scp>ossess</scp> ’McKernan, Luke · The Court Historian · 2003

Rituals and Records: the Films of the 1924 and 1928 Olympic GamesMcKernan, Luke · European Review · 2011

<i>“The supreme moment of the war”: ‘General Allenby's entry into Jerusalem’</i>McKernan, Luke · Historical Journal of Film, Radio and Television · 1993

XXII Iamhist Conference, Amsterdam, Netherlands, 18–21 July 2007: Media And Imperialism—A Personal ViewMcKernan, Luke · Historical Journal of Film, Radio and Television · 2008

KIDDING THE KAISERHuxley, David · Early Popular Visual Culture · 2006

‘CURIOS THINGS IN CURIOS PLACES’:Toulmin, Vanessa · Early Popular Visual Culture · 2006

REVIEWSHerbert, Stephen; Herbert, Stephen; Herbert, Stephen; Herbert, Stephen; Herbert, Stephen; Kessler, Frank; Nead, Lynda; Bottomore, Stephen; Bottomore, Stephen; Bottomore, Stephen · Early Popular Visual Culture · 2008

Workshop reviewBottomore, Stephen · Early Popular Visual Culture · 2011

FORGING THE ‘LINK’Roberts, Graham · Early Popular Visual Culture · 2006

The enthusiastic amateur of Redhill, SurreyCallender, R.M. · Early Popular Visual Culture · 2009

Cimenatograph [sic]Early Popular Visual Culture · 2008

EditorialPopple, Simon; Toulmin, Vanessa · Early Popular Visual Culture · 2005