[untitled]Review by: Hilliard T. Goldfarb · Master Drawings · 1990

Chiaroscuro Woodcut Technique and Andrea AndreaniHilliard T. Goldfarb · The Bulletin of the Cleveland Museum of Art · 1981

A Pastoral Scene with Classical Figures by Claude LorrainHilliard T. Goldfarb · The Bulletin of the Cleveland Museum of Art · 1983

A Highly Important Poussin Acquisition and Chantelou's "Seven Sacraments" SeriesHilliard T. Goldfarb · The Bulletin of the Cleveland Museum of Art · 1984

Defining "Naive and Sentimental" Landscape Schiller, Hackert, Koch, and the Romantic ExperienceHilliard T. Goldfarb · The Bulletin of the Cleveland Museum of Art · 1982

Exhibitions in Nancy on the Art of Lorraine at the Time of Jacques CallotReview by: Hilliard T. Goldfarb · Master Drawings · 1995

French Drawing from the Sixteenth to the Nineteenth Century || Seventeenth-Century French Drawings in French Public Provincial CollectionsReview by: Hilliard T. Goldfarb · Master Drawings · 1996

The Portrait of Olivares by RubensA. L. Mayer · The Burlington Magazine for Connoisseurs · 1928

Velazquez and Philip IVAugust L. Mayer · The Burlington Magazine for Connoisseurs · 1925

The Case for Mantegna as PrintmakerKeith Christiansen · The Burlington Magazine · 1993

Two Bronzes by FilareteJohn R. Spencer · The Burlington Magazine · 1958

Ruskin and Turner: A Riddle ResolvedLuke Herrmann · The Burlington Magazine · 1970

A Self-Portrait by ReynoldsCharles Holmes · The Burlington Magazine for Connoisseurs · 1930

Reynolds's Oil SketchesDavid Mannings · The Burlington Magazine · 1991

Reynolds' Conceptions of TruthErna Mandowsky · The Burlington Magazine for Connoisseurs · 1940