The Birth of Opera and the New ScienceTanay, Dorit · The European Legacy · 2006

Expander: from expression microarrays to networks and functionsUlitsky, Igor; Maron-Katz, Adi; Shavit, Seagull; Sagir, Dorit; Linhart, Chaim; Elkon, Ran; Tanay, Amos; Sharan, Roded; Shiloh, Yosef; Shamir, Ron · 2010

The EXPANDER Integrated Platform for Transcriptome AnalysisHait, Tom Aharon; Maron-Katz, Adi; Sagir, Dorit; Amar, David; Ulitsky, Igor; Linhart, Chaim; Tanay, Amos; Sharan, Roded; Shiloh, Yosef; Elkon, Ran; Shamir, Ron · Journal of Molecular Biology · 2019

Medieval Music and the Art of Memoryby Anna Maria Busse BergerReview by: Dorit Tanay · Journal of the American Musicological Society · 2007

"Nos faysoms contre Nature ...": Fourteenth-Century Sophismata and the Musical Avant GardeDorit Tanay · Journal of the History of Ideas · 1998

The Image of Music and the Bodies of Knowledge in the Late Middle Ages: Rhythmic Procedures as Cultural RepresentationsTanay, Dorit · Science in Context · 1996

A Newly Discovered Medieval Polyphonic SequenceKeith E. Mixter · Musica Disciplina · 1990

Ugolino of Orvieto, Theorist and ComposerAlbert Seay · Musica Disciplina · 1955

Musica Recta and Musica FictaMargaret Bent · Musica Disciplina · 1972

Faburden and FauxbourdonBrian Trowell · Musica Disciplina · 1959

Epistola Johannis cottonis ad fulgentium episcopumJoan Malcolm · Musica Disciplina · 1993

The "Timaeus" ScaleJacques Handschin · Musica Disciplina · 1950

Publications of the American Institute of MusicologyMusica Disciplina · 1973

Back MatterMusica Disciplina · 1949