海量图书期刊资源,随时随地畅享阅读乐趣
Jeremy Tambling. Opera and the Culture of Fascism, Oxford: Clarendon Press; New York: Oxford University Press, 1996. x, 274 pp. ISBN 0-19-816566-8 (hardcover)Woodside, Mary S. · Canadian University Music Review · 1998
[untitled]Review by: H. Marshall Leicester, Jr. · Cambridge Opera Journal · 1998
"Voice" in the Canterbury TalesRobert B. Burlin and H. Marshall Leicester, Jr. · PMLA · 1980
The Wife of Bath as Chaucerian SubjectLeicester, H. Marshall · Studies in the Age of Chaucer · 1984
"Space to speke": The Confessional Subject in Medieval LiteratureLeicester, H. Marshall; Root, Jerry · Speculum · 2002
Discourse and the Film Text: Four Readings of "Carmen"H. Marshall Leicester, Jr. · Cambridge Opera Journal · 1994
Automation and Robotics for the Space Station: RecommendationsLeicester, H. Marshall · IEEE Transactions on Aerospace and Electronic Systems · 1985
Discourse and the film text: Four readings of CarmenLeicester, H. Marshall · Cambridge Opera Journal · 1994
The Disenchanted Self: Representing the Subject in the "Canterbury Tales."Travis, Peter W.; Leicester, H. Marshall · Speculum · 1993
Wagner and the Post-ModernJohn Deathridge · Cambridge Opera Journal · 1992
On "Ruslan" and RussiannessMarina Frolova-Walker · Cambridge Opera Journal · 1997
Front MatterCambridge Opera Journal · 2000
Mozart in TurkeyBenjamin Perl · Cambridge Opera Journal · 2000
[untitled]Review by: Alessandra Campana · Cambridge Opera Journal · 2000
Back MatterCambridge Opera Journal · 2006
Editor's NoteMary Ann Smart · Cambridge Opera Journal · 2003
Front MatterCambridge Opera Journal · 1989