Mapping the Domain of DrawingHoward Riley · 2002

International Mail PouchPhilip Riley, G. Howard Gowen, Z. Kawecki and A. Karim · Public Health Reports (1896-1970) · 1959

AbstractsManfred F. Bukofzer, Paul Nettl, V. Howard Talley, Maurice W. Riley, Hans Tischler and Carl Parrish · Journal of the American Musicological Society · 1953

Firing Practice: Drawing as EmpowermentRiley, Howard · Journal of Visual Art Practice · 2002

Book reviewsMcDonogh, Gary; Riley, Howard · Visual Communication · 2004

"Action, Scholarship, Reflection, Renewal"David Walls, Sarah Riley and Jason Howard · Journal of Appalachian Studies · 2011

5545E. A. Maier, L. C. Eggan, Howard Gage and Charles Riley · The American Mathematical Monthly · 1968

Seeing into Drawing: Perception and CommunicationRiley, Howard · Art & Perception · 2016

Report on Stockhausen's 'Carré'Cornelius Cardew · The Musical Times · 1961

Baroque TrumpetReview by: Edward H. Tarr · The Musical Times · 1974

Emotion in the Music of MessiaenNicholas Armfelt · The Musical Times · 1965

Handel (Continued)The Musical Times and Singing Class Circular · 1857

John Field's Life and MusicNicholas Temperley · The Musical Times · 1974

The Genesis of Debussy's 'Jeux'Robert Orledge · The Musical Times · 1987

Debussy's Orchestral Collaborations, 1911-13: 2: KhammaRobert Orledge · The Musical Times · 1975

Another Look inside Debussy's 'Toybox'Robert Orledge · The Musical Times · 1976