THE CANON UNBOUNDJOYCE ZEMANS · Journal of Canadian Art History / Annales d'histoire de l'art Canadien · 2004

Museums After Modernism || Riksutställningar: Swedish Traveling ExhibitionsPollock, Griselda; Zemans, Joyce · 2007

SAMPSON-MATTHEWS AND THE NGC: The Post-War YearsJOYCE ZEMANS · Journal of Canadian Art History / Annales d'histoire de l'art Canadien · 2000

Guido Molinariby PIERRE THÉBERGE;Jack Bush: A Retrospectiveby TERRY FENTONReview by: JOYCE ZEMANS · RACAR: revue d'art canadienne / Canadian Art Review · 1977

ENVISIONING NATION: Nationhood, Identity and the Sampson-Matthews Silkscreen Project: The Wartime PrintsJOYCE ZEMANS · Journal of Canadian Art History / Annales d'histoire de l'art Canadien · 1998

ESTABLISHING THE CANON: Nationhood, Identity and the National Gallery's First Reproduction Programme of Canadian ArtJOYCE ZEMANS · Journal of Canadian Art History / Annales d'histoire de l'art Canadien · 1995

“And the Lion Shall Lie Down with the Lamb”: U.S.- Canada Cultural Relations in a Free Trade EnvironmentZemans, Joyce · American Review of Canadian Studies · 1994

Marginalia to VasariEGON VERHEYEN · RACAR: revue d'art canadienne / Canadian Art Review · 1978

Dutch Townscape at TorontoReview by: LEONARD J. SLATKES · RACAR: revue d'art canadienne / Canadian Art Review · 1978

A Map Attributed to HolbeinEDWARD H. DAHL · RACAR: revue d'art canadienne / Canadian Art Review · 1978-1979

Front MatterRACAR: revue d'art canadienne / Canadian Art Review · 1988

Back MatterRACAR: revue d'art canadienne / Canadian Art Review · 1989

Back MatterRACAR: revue d'art canadienne / Canadian Art Review · 1976

Front MatterRACAR: revue d'art canadienne / Canadian Art Review · 1974

The other VictoriaJohn Crosby Freeman · RACAR: revue d'art canadienne / Canadian Art Review · 1974