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Book ReviewsRepp, B. H. · Psychology of Music · 1998
Perception of dichotic place contrastsRepp, B. H. · The Journal of the Acoustical Society of America · 1975
“Co‐perception” of speech segmentsRepp, B. H. · The Journal of the Acoustical Society of America · 1975
Dichotic “masking” of voice‐onset timeRepp, B. H. · The Journal of the Acoustical Society of America · 1975
Some Observations on Pianists' Timing of Arpeggiated ChordsRepp, B. H. · Psychology of Music · 1997
The effect of tempo on pedal timing in piano performanceB. H. Repp · 1997
The perceptual prominence of fundamental frequency peaksGussenhoven, C.; Repp, B. H.; Rietveld, A.; Rump, H. H.; Terken, J. · The Journal of the Acoustical Society of America · 1997
On Determining the Basic Tempo of an Expressive Music PerformanceRepp, B. H. · Psychology of Music · 1994
Universals in the world's musicsBrown, S.; Jordania, J. · Psychology of Music · 2013
Musical Expression of MoodstatesTerwogt, M. M.; Van Grinsven, F. · Psychology of Music · 1991
Music and Meaning: An Evolutionary StoryTolbert, E. · Psychology of Music · 2001
21st century conceptions of musical abilityHallam, S. · Psychology of Music · 2010
Psychology in the Music SchoolManturzewska, M. · Psychology of Music · 1978
EditorialLamont, A. · Psychology of Music · 2013
Self-efficacy and music performanceMcPherson, G. E. · Psychology of Music · 2006
The Psychology of Music ReadingSloboda, J. · Psychology of Music · 1978