Special Issue: Art History: New Voices/New Visions || Art History: New Voices/New Visions: A PrefaceMary D. Sheriff · Eighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || Front MatterEighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || Back MatterEighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || Volume InformationEighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || Reframing Art History: Text and Context: Introduction to Section 2Christopher M. S. Johns · Eighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || This Is Not a ConclusionPatricia Crown · Eighteenth-Century Studies · 1992

Special Issue: Art History: New Voices/New Visions || Diderot and Girl-Group EroticsErica Rand · Eighteenth-Century Studies · 1992

Deconstructing DissipationPaula Rea Radisich · Eighteenth-Century Studies · 1995-1996

Roger de Piles' Theory of Art.by Thomas PuttfarkenReview by: Paula Rea Radisich · Eighteenth-Century Studies · 1988-1989

The King Prunes His Garden: Hubert Robert's Picture of the Versailles Gardens in 1775Paula Rea Radisich · Eighteenth-Century Studies · 1988

Eighteenth-Century Plein-Air Painting and the Sketches of Pierre Henri de ValenciennesPaula Rea Radisich · The Art Bulletin · 1982

Eighteenth-Century <i>Plein-Air</i> Painting and the Sketches of Pierre Henri de ValenciennesRadisich, Paula Rea · The Art Bulletin · 1982

Eighteenth-Century <i>Plein-Air</i> Painting and the Sketches of Pierre Henri de ValenciennesRadisich, Paula Rea · The Art Bulletin · 1982

Special Issue: Art History: New Voices/New Visions || Que peut définir les femmes?: Vigée-Lebrun's Portraits of an ArtistPaula Rea Radisich · Eighteenth-Century Studies · 1992