Pendulum-based instruments, percussive video, sound art, and the permanence of ephemeral public art
- 期刊名称Organised Sound
- 作者SENN, DAN
- 卷第2卷
- 期第3期
- 印刷ISSN1355-7718
- 文件大小3472.96KB
- 发表时间1997-12
- DOI10.1017/s1355771898009017
- 页码151-163
Capturing musical knowledge in software systemsTruax, Barry · Interface · 1991
Handbook for Acoustic Ecologyby Barry TruaxTruax, Barry · Leonardo · 1980
The soundscape and technologyTruax, Barry · Interface · 1977
TelecommunicationsGellert, Alexander G.; Fertig, Robert T.; Gibilisco, Stan; Harrell, Bobby; Truax, Barry · Communication Booknotes · 1985
Powers of TwoTruax, Barry · Computer Music Journal · 2007
An Interview with Barry TruaxToru Iwatake and Barry Truax · Computer Music Journal · 1994
24 Capricciby Pietro Grossi; Niccolo PaganiniReview by: Barry Truax · Computer Music Journal · 1984
Electroacoustic Music and the Digital FutureTruax, Barry · Circuit: Musiques contemporaines · 2002
Sound Art (?) on/in Filmd’Escriván, Julio · Organised Sound · 2009
The Musical Interface Technology Design SpaceOverholt, Dan · Organised Sound · 2009
Movie examples – issue 14(2)Organised Sound · 2009
Linking soundscape composition and acoustic ecologyWesterkamp, Hildegard · Organised Sound · 2002
Sensing and mapping for interactive performanceNg, Kia · Organised Sound · 2002
Reeds: a responsive environmental sound installationPAINE, GARTH · Organised Sound · 2003
The Live Room: transducing resonant architecturesBAIN, MARK · Organised Sound · 2003
Organised Sound compact discOrganised Sound · 2002