Experience Economies: Immersion, Disposability, and Punchdrunk TheatreO’Hara, Meghan · Contemporary Theatre Review · 2017

Pedestrian Shakespeare and Punchdrunk's Immersive TheatreGordon, Colette · Cahiers Élisabéthains · 2012

Immersion, ‘smooth’ spaces and critical voyeurism in the work of PunchdrunkPapaioannou, Spyros · Studies in Theatre and Performance · 2014

The Erotic Voyeur: Sensorial Spectatorship in Punchdrunk’s The Drowned ManMaples, Holly · Journal of Contemporary Drama in English · 2016

Funding, product placement and drunkenness in Punchdrunk's The Black DiamondAlston, Adam · Studies in Theatre and Performance · 2012

Punchdrunk, participation and the political: democratisation within <i>Masque of the Red Death</i> ?Wilson, Anna · Studies in Theatre and Performance · 2016

Fandom and Punchdrunk’s <i>Sleep No More</i> : Audience Ethnography of Immersive DanceRitter, Julia M. · TDR/The Drama Review · 2017

Buried LightYusef Komunyakaa · 1993

Oaths & DebtsYusef Komunyakaa · Callaloo · 1988

Slam, Dunk, & HookYusef Komunyakaa · Callaloo · 1991

The MillpondYusef Komunyakaa · Callaloo · 1990

CrackYusef Komunyakaa · Callaloo · 1993

Re-Creating the SceneYusef Komunyakaa · Callaloo · 2001

Autobiography of My Alter EgoYusef Komunyakaa · Callaloo · 2004

Believing in IronYusef Komunyakaa · New Labor Forum · 2007

Language of DesireReview by: Cheryl Glenn · College English · 1994

Mrs. Dalloway: A Study in CompositionNathalia Wright · College English · 1944

Women and the Literary CurriculumElaine Showalter · College English · 1971

The Genre FunctionBawarshi, Anis · College English · 2000

The Ecology of WritingMarilyn M. Cooper · College English · 1986

The Archetype of the FallWoodard, Charles R. · College English · 1967

What Is Literary "History"?Wendell V. Harris · College English · 1994

Composition Textbooks and Pedagogical Theory 1960-80Review by: William F. Woods · College English · 1981