Handel the Postmodernist
- 期刊名称Cambridge Opera Journal
- 作者Barry Emslie
- 卷第15卷
- 期第2期
- 印刷ISSN0954-5867
- 电子ISSN1474-0621
- 文件大小382.75KB
- 发表时间2003-07
- DOI10.2307/3878333
- 页码185-198
When did German Music Lose its Innocence?MINOR, RYAN · Journal of the Royal Musical Association · 2008
When Did German Music Lose Its Innocence?Review by: Ryan Minor · Journal of the Royal Musical Association · 2008
Opera and/as Theatricality: Notes from Across the AisleMinor, Ryan · The Opera Quarterly · 2019
Occasions and Nations in Brahms'sFest- und GedenksprucheRyan Minor · 19th-Century Music · 2006
Wagner's last chorus: Consecrating space and spectatorship in ParsifalMINOR, RYAN · Cambridge Opera Journal · 2005
What determines business fixed investment? Evidence from the Canadian economyFaroque, Akhter; Minor, Ryan · Applied Economics Letters · 2002
Choral Fantasies (Music, Festivity, and Nationhood in Nineteenth-Century Germany) || IntroductionMinor, Ryan · 2012
Wagner and the Post-ModernJohn Deathridge · Cambridge Opera Journal · 1992
On "Ruslan" and RussiannessMarina Frolova-Walker · Cambridge Opera Journal · 1997
Front MatterCambridge Opera Journal · 2000
Mozart in TurkeyBenjamin Perl · Cambridge Opera Journal · 2000
[untitled]Review by: Alessandra Campana · Cambridge Opera Journal · 2000
Back MatterCambridge Opera Journal · 2006
Editor's NoteMary Ann Smart · Cambridge Opera Journal · 2003
Front MatterCambridge Opera Journal · 1989