Experimental Aesthetics (Continued)Marcus B. Hester and Elmer H. Duncan · Leonardo · 1975

Conventionality and PerspectiveMarcus B. Hester · Leonardo · 1976

Purpose in Painting and ActionMarcus B. Hester · American Philosophical Quarterly · 1970

Are Paintings and Photographs Inherently Interpretative?Marcus B. Hester · The Journal of Aesthetics and Art Criticism · 1972

Experiences in Visual Thinkingby Robert H. McKimReview by: Marcus B. Hester · The Journal of Aesthetics and Art Criticism · 1973

Wittgenstein's Analysis of “I Know I Am In Pain”Marcus B. Hester · 1966

Behavioral Analysis and the Structure of a Prehistoric Industry [and Comments and Reply]Payson D. Sheets, B. W. Anthony, David A. Breternitz, David S. Brose, B. K. Chatterjee, Carl B. Compton, Scott Cook, Richard G. Forbis, Alexander Gallus, Thomas R. Hester, Fumiko Ikawa-Smith, Maxine R. Kleindienst, Carl-Axel Moberg, Hansjürgen Müller-Beck, Jon Muller, J.-Ph. Rigaud, Michael W. Spence, Robin Torrence, F. Van Noten, Marcus C. Winter and John Witthoft · Current Anthropology · 1975

The Aesthetic Idea of ImpressionismLionello Venturi · The Journal of Aesthetics and Art Criticism · 1941

What Photographs Can't DoStephanie Ross · The Journal of Aesthetics and Art Criticism · 1982

Painting, Photography and RepresentationDonald Brook · The Journal of Aesthetics and Art Criticism · 1983

Photography, Painting and PerceptionGregory Currie · The Journal of Aesthetics and Art Criticism · 1991

Blake's Quarrel with ReynoldsFrederic Will · The Journal of Aesthetics and Art Criticism · 1957

Transforming Images: Photographs of RepresentationsBarbara E. Savedoff · The Journal of Aesthetics and Art Criticism · 1992

A Look at Archetypal CriticismDaniel Russell Brown · The Journal of Aesthetics and Art Criticism · 1970

The Literary Archetype: Some ReconsiderationsLauriat Lane, Jr. · The Journal of Aesthetics and Art Criticism · 1954