Representation in Contemporary French Fictionby DINA SHERZERReview by: ROBERT R. BROCK · Studies in the Novel · 1987

Claude Simon and the Transgressions of Modern Artby MICHAEL EVANSReview by: ROBERT R. BROCK · Studies in the Novel · 1989

Extravagant Narratives: Closure and Dynamics in the Epistolary Formby ELIZABETH J. MACARTHURReview by: ROBERT R. BROCK · Studies in the Novel · 1991

BRADDON GISSING RHYS RICHARDSON SHELLEY THACKERAY || Fiction and Dictionby GÉRARD GENETTEReview by: ROBERT R. BROCK · Studies in the Novel · 1995

Metaphoric Narration: Paranarrative Dimentions in A la recherche du temps perduby LUZ AURORA PIMENTALReview by: ROBERT R. BROCK · Studies in the Novel · 1992

DICKENS DOSTOEVSKY FIELDING GOLDING GREENE LEWIS MEREDITH || Drieu La Rochelle and the Picture Gallery Novelby RIMA DRELL RECKReview by: ROBERT R. BROCK · Studies in the Novel · 1992

CATHER DICKENS ELIOT FAULKNER FIELDING GASKELL MEREDITH || Beyond the Nouveau Roman: Essays on the Contemporary French Novelby MICHAEL TILBYReview by: ROBERT R. BROCK · Studies in the Novel · 1991

"LORD JIM" AS A TRAGIC ACTIONHARRY S. EPSTEIN · Studies in the Novel · 1973

ON "FABULATION AND METAFICTION"ROBERT A. MORACE · Studies in the Novel · 1980

GEORGE ELIOT || "MIDDLEMARCH": A FEMINIST PERSPECTIVEELLIN RINGLER · Studies in the Novel · 1983

THE SOCIOLOGY OF LITERATURE?KINGSLEY WIDMER · Studies in the Novel · 1979

TROLLOPE'S SATIRE IN "THE WARDEN"THOMAS A. LANGFORD · Studies in the Novel · 1987

HARDY'S GEOGRAPHY OF NARRATIVE EMPATHYEVE SORUM · Studies in the Novel · 2011

GULLIVER'S FICTIONSTEVEN M. COHAN · Studies in the Novel · 1974

CLOSURE AND TELEOLOGY IN DICKENSTHOMAS M. LEITCH · Studies in the Novel · 1986